What a day! I had the most fun of the trip (yesterday was awesome-amazing views of the cultural attractions), but hey, how many times do you get to ride an elephant up a castle ramparts to the top of a mountain for 20 minutes?
I get to do a morning of sightseeing then an afternoon and evening packed with sight inspections of hotels.
The palace is a five-story pyramidal shaped monument that
rises to a height of 50 feet (15 m) from its high base. The top three floors of
the structure have a dimension of one room width while the first and second
floors have patios in front of them, on the rear side of the structure. The
front elevation, as seen from the street, is like a honeycomb web of a beehive
built with small portholes. Each porthole has miniature windows and has carved
sandstone grills, finials and domes. It is a veritable mass of semi-octagonal
bays, which gives the monument its unique façade. The inner face on the back
side of the building consists of need-based chambers built with pillars and
corridors with least ornamentation, and reach up to the top floor. The interior
of the Mahal has been described as “having rooms of different colored marbles,
relieved by inlaid panels or gilding; while fountains adorn the centre of the
courtyard”.
This fort along with Jaigarh Fort located immediately above
on the Cheel ka Teela (Hill of Eagles) of same Aravalli range of hills, is
considered as one complex, as the two are well connected by subterranean
passage. This passage was meant as an escape route in times of war for the
royal family members and others in the Amer Fort to shift to the more
redoubtable Jaigarh Fort.
Annual tourist visitation to the Amer Palace in Amer town was reported by the Superintendent of Department of Archaeology and Museums to the Amer Palace as 5000 visitors a day, and 1.4 million visitors were reported during 2007.
An impressive stairway from the Jaleb Chowk leads into the
main palace grounds. Here, at the entrance itself to the right of the stairway
steps is the Sila Devi temple where the Rajput Maharajas offered worship,
starting with Maharaja Mansingh in the 16th century till the 1980s, when the
animal sacrifice ritual (sacrifice of a buffalo) practiced by the royalty was
stopped .
The fort is divided into four main sections each with its
own entry gate and courtyard.
Many of the ancient structures of the medieval period of the
Meenas have been either destroyed or replaced. However, the 16th century
impressive edifice of the Amer Fort and the palace complex within it built by
the Rajput Maharajas are very well preserved.
Main entry is through the Suraj Pole (Sun Gate) which leads
to Jaleb Chowk, which is the first main courtyard. This was the place where
armies would hold victory parades with their war bounty on their return from
battles, which were also witnessed by the Royal family women folk through the
latticed windows. This gate was built exclusively and was provided with guards
as it was the main entry into the palace. It faced the eastern direction
towards the rising Sun and hence the name. Royal cavalcades and dignitaries
entered the palace through this gate.
Jaleb Chowk is an Arabic usage, which means a place for
soldiers to assemble. This is one of the four courtyards of the Amer Palace,
which was built during Sawai Jai Singh’s reign (1693–1743 AD). The Maharaja's
personal bodyguards held parades here under the command of the army commander
or Fauj Bakshi.
The Maharaja used to inspect the Guards contingent. At this
location, the horse stables were also located where its upper level rooms were
occupied by the guards.
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| Brad in front of the inner courtyard gate |
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| Brad in front of the inner courtyard gate |
Ganesh Pol or the Ganesh Gate, named after the Hindu god
Lord Ganesh who removes all obstacles in life, is the entry into the private palaces
of the Maharajas. It is a three level structure which has many frescoes and was
also built at the orders of the Mirza Raja Jai Singh (1621–1627) and leads to
the private quarters of the royal family. Above this gate is the Suhag Mandir
where ladies of the royal family used to watch through the latticed windows
functions held in the Diwan-i-Am.
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| Brad in front of a small gate opening |
The second courtyard, up the main stairway of the first
level courtyard, houses the Diwan-i-Am or the Public Audience Hall.
Built with
double row of columns, the Diwan-i-Am is a raised platform with 27 colonnades,
each of which is mounted with elephant shaped capital with galleries above it.
As the name suggests, the Raja held audience here to hear and receive petitions
from the public.
The second courtyard, up the main stairway of the first
level courtyard, houses the Diwan-i-Am or the Public Audience Hall. Built with
double row of columns, the Diwan-i-Am is a raised platform with 27 colonnades,
each of which is mounted with elephant shaped capital with galleries above it.
As the name suggests, the Raja held audience here to hear and receive petitions
from the public.
The third courtyard is where the private quarters of the
Maharaja, his family and attendants were built. This courtyard is entered
through the Ganesh Pol or Ganesh Gate, which is embellished with mosaics and
sculptures. The court yard has two buildings, one opposite to the other, separated
by a garden laid in the fashion of the Mughal Gardens. The building to the left
of the entrance gate is called the Jai Mandir, which is exquisitely beautified
with glass inlaid panels and multi-mirrored ceilings.
The mirrors are of convex
shape and designed with coloured foil and paint which would glitter bright
under candle nights at the time it was in use. Also known as Sheesh Mahal
(mirror palace), the mirror mosaics and coloured glasses were "glittering
jewel box in flickering candle light".
However, most of this work was allowed to deteriorate during
the period 1970–80 but has since then been subjected to a process of
restoration and renovation. Carved marble relief panels are placed on walls
around the hall. The other building seen in the court yard is opposite to the
Jai Mandir and is known as the Sukh Niwas or Sukh Mahal (Hall of Pleasure).
This hall is approached through a sandalwood door with marble inlay work with
perforations. A piped water supply flows through an open channel that runs
through this edifice keeping the environs cool, as in an air conditioned
environment. 
The water from this channel was led into the garden. The hall
provides enchanting vistas of the Maota Lake, which gives a reflected view of
the ramparts and terraces of the fort. |
| View from top of Amber Fort |
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| View from top of Amber Fort |
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| Looking down from Amber Fort |
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| Looking down from Amber Fort |
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| Looking down from Amber Fort |
The Amer town itself, which is an integral and inevitable
entry point to the Amer Palace, is now a heritage town with its economy
dependent on the large influx of tourists (4000 to 5000 a day during peak
tourist season). This town is spread over an area of 4 square kilometers (1.5
sq mi) and has 18 temples, 3 Jain mandirs and three mosques. It has been listed
by the World Monument Fund (WMF) as one of the 100 endangered sites in the
world; funds for conservation are provided by the Roberts Willson Challenge
Grant. As of 2005, some 87 elephants lived within the fort grounds, but several
were said to be suffering from malnutrition.
Conservation works have been undertaken at the Amer Palace
grounds at a cost of Rs 40 crores (US$8.88 million) by the Amer Development and
Management Authority (ADMA). However, these renovation works have been a
subject of intense debate and criticism with respect to their suitability to
maintain and retain the historicity and architectural features of the ancient
structures. Another issue which has been raised is the commercialization of the
place.
A film unit shooting for a film at the Amer Fort damaged a
500-year-old canopy, demolished the old limestone roof of Chand Mahal, drilled
holes to fix sets and spread large quantities of sand in Jaleb Chowk in utter
disregard and violation of the Rajasthan Monuments, Archaeological Sites and
Antique Act (1961).
The Jaipur Bench of the Rajasthan High Court intervened and
stopped the film shooting with the observation that "Unfortunately, not
only the public but especially the concerned (sic) authorities have become
blind, deaf and dumb by the glitter of money. Such historical protected
monuments have become a source of income."
The fourth courtyard is where the Zenana (Royal family
women, including concubines or mistresses) lived. This courtyard has many
living rooms where the queens resided and who were visited by the king at his
choice without being found out as to which queen he was visiting, as all the
rooms open into a common corridor.
The garden, located between the Jai Mandir on the east and
the Sukh Niwas on the west, both built on high platforms in the third
courtyard, was built by Mriza Raja Jai Singh (1623–68). It is patterned on the
lines of the Chahar Bagh or Mughal Garden. It is in sunken bed, shaped in a
hexagonal design.
The courtyard from above looking down into the 1st and 2nd courtyards...
South of this courtyard lies the Palace of Man Singh I,
which is the oldest part of the palace fort. The palace took 25 years to build
and was completed in 1599 during the reign of Raja Man Singh I (1589–1614). It
is the main palace. In the central courtyard of the palace is the pillared
baradari or pavilion; frescoes and colored tiles decorate the ground and upper
floor rooms in this palace. This pavilion (which used to be curtained for
privacy) was used as the meeting venue by the maharanis (queens of the royal
family). All sides of this pavilion are connected to several small rooms with
open balconies. The exit from this palace leads to the Amer village, a heritage
town with many temples, palatial houses and mosques.
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| Snake charmers |
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| Yep, that's a cobra... |
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| Pet the cobra for an extra 100 Rupies... |
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| Say cheese Mr. Cobra. |
surrounding wetlands regenerated and five nesting islands
created to attract migratory birds.
The Jantar Mantar is a collection of architectural
astronomical instruments, built by Maharaja (King) Jai Singh II at his then new
capital of Jaipur between 1727 and 1734. It is modeled after the one that he
had built for him at the Mughal capital of Delhi. He had constructed a total of
five such facilities at different locations, including the ones at Delhi and
Jaipur.
The Jaipur observatory is the largest and best preserved of
these. It has been inscribed on the World Heritage List as "an expression
of the astronomical skills and cosmological concepts of the court of a
scholarly prince at the end of the Mughal period". Early restoration work
was undertaken under the supervision of Major Arthur Garrett, a keen amateur
astronomer, during his appointment as Assistant State Engineer for the Jaipur
District.
An excursion through Jai Singh's Jantar is a unique
experience of walking through solid geometry and encountering a collective
astronomical system designed to probe the heavens.
This
observatory has religious significance, since ancient Indian astronomers were
also Jyotisa masters.
The observatory consists of fourteen major geometric devices
for measuring time, predicting eclipses, tracking stars' location as the earth
orbits around the sun, ascertaining the declinations of planets, and
determining the celestial altitudes and related ephemerides. Each is a fixed
and 'focused' tool.
Built from local stone and marble, each instrument carries
an astronomical scale, generally marked on the marble inner lining. Bronze
tablets, all extraordinarily accurate, were also employed. Thoroughly restored
in 1901, the Jantar Mantar was declared a national monument in 1948.
The instruments are in most cases huge structures. The scale
to which they have been built has been alleged to increase their accuracy.
However, the penumbra of the sun can be as wide as 30 mm, making the 1mm
increments of the Samrat Yantra sundial devoid of any practical significance.
Additionally, the masons constructing the instruments had insufficient
experience with construction of this scale, and subsidence of the foundations
has subsequently misaligned them.
The Giant Sundial, known as the Samrat Yantra (The Supreme Instrument) is the world's largest sundial, standing 27 meters tall. Its shadow moves visibly at 1 mm per second, or roughly a hand's breadth (6 cm) every minute, which can be a profound experience.
City Palace, Jaipur, which includes the Chandra Mahal and
Mubarak Mahal palaces and other buildings, is a palace complex in Jaipur city,
the capital of the Rajasthan state, India. It was the seat of the Maharaja of
Jaipur, the head of the Kachwaha Rajput clan.
The Chandra Mahal palace now houses a museum but the
greatest part of it is still a royal residence. The palace complex, which is
located northeast of the centre of the grid patterned Jaipur city, incorporates
an impressive and vast array of courtyards, gardens and buildings. The palace
was built between 1729 and 1732, initially by Sawai Jai Singh II, the ruler of
Amber. He planned and built the outer walls, and later additions were made by
successive rulers right up to the 20th century.
The credit for the urban layout of the city and its
structures is attributed to two architects namely, Vidyadar Bhattacharya, the
chief architect in the royal court and Sir Samuel Swinton Jacob, apart from the
Sawai himself who was a keen architectural enthusiast.
The architects achieved a fusion of the Shilpa shastra of
Indian architecture with Rajput, Mughal and European styles of architecture.
The palace complex lies in the heart of Jaipur city, to the
northeast of the very centre, located at 26.9255°N 75.8236°E. The site for the
palace was located on the site of a royal hunting lodge on a plain land
encircled by a rocky hill range, five miles south of Amber (city). The history
of the city palace is closely linked with the history of Jaipur city and its
rulers, starting with Maharaja Sawai Jai Singh II who ruled from 1699-1744.
He is credited with initiating construction of the city
complex by building the outer wall of the complex spreading over many acres.
Initially, he ruled from his capital at Amber, which lies at a distance of 11 kilometers
(6.8 mi) from Jaipur. He shifted his capital from Amber to Jaipur in 1727
because of an increase in population and increasing water shortage.
He planned Jaipur city in six blocks separated by broad
avenues, on the classical basis of principals of Vastushastra and other similar
classical treatise under the architectural guidance of Vidyadar Bhattacharya, a
man who was initially an accounts-clerk in the Amber treasury and later
promoted to the office of Chief Architect by the King.
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| Gate to the City Palace |
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| Driving to Jai Mahal Palace Hotel-Jaipur |
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| Driving to Jai Mahal Palace Hotel-Jaipur |
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| Driving to Jai Mahal Palace Hotel-Jaipur |
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| Driving to Jai Mahal Palace Hotel-Jaipur |
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| Driving to Jai Mahal Palace Hotel-Jaipur |
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| Driving to Jai Mahal Palace Hotel-Jaipur |
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| Driving to Jai Mahal Palace Hotel-Jaipur |
·
100 rooms including 6 suites. Colonial style
furniture, miniature paintings, gold-hued silks, sheet curtains and stylish
bathrooms offer contemporary comfort with a regal touch.
Hosted Lunch-Excellent-
Jai Mahal Palace entrance
Best part was their pool on the roof.
Entrance
Marriott Jaipur-NICE, great new hotel with good convention space.
Nice lobby area with great coffee shop
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